on a cruise from some accidental civilization to some other
i am hungry
you’re telling me about where you stay, where you drink late
into the night
where boys i have never met reach for you and you wake
sad
then try again to find a way way back again into darkness
then get published in The New Yorker speaking foreign
languages
but but but i am sad too, i think, but mostly because sadness
is familiar
and proof of life.
we are slow bodies delivered every five to seven hours
to ancient cities built in the ecstatic era of late capitalism
when driving was a compulsion against the threat of progress
when distance made sense, like a good idea
like turmeric in everything
we pass exit 10 for newtown/sandy hook
as we will eventually pass exit 11 for newtown drive, which
i have never heard of
and then we also pass so many exits that any other exit
loses its quality of metaphor
and all places become just another exit off the freeway
i imagine my hunger and am glad for this strange undifferentiated
melancholy
i am glad to know one can be sad about everything all at the
same time, and that we can talk about this later, like some discuss dinner
i am glad to know one does not necessarily die jumping from a ledge
or that the highest speeds will never end in flight
we are not planes or birds, but sometimes do sail sometimes catapultishly
and a little while later tell stories of the voyage
so to be glad is another way to gratitude--
which has nothing to do with not being sad
which itself is a distinction i would not have made before
meeting you
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